Дорис Херинг писала так о втором акте "Жизели" с Карлой Фраччи и Эриком Бруном: "...in the beginning the second act shared by Carla Fracci and Erik Bruhn created a tantalizing contrast. Inhabited by the spirit of Giselle, Fracci became transcendent. At the same time she was demonic, already a Wili. Hers was the only second act with this kind of conflict.
Bruhn's Albrecht remained mortal and vulnerable. He was not so much guilty as mesmerized. And so with fiery calm she led him through a totentanz to moral and emotional destruction.
As Bruhn puts it, "With Carla you were emptied at the end." So, too, was the viewer".

Машину времени мне к подъезду.